Photo Reports

Known as one of the best and most consistent hardcore bands, having been around for over 2 decades, Comeback Kid coming back to Finland was something we weren’t going to miss out on! And we were proven right, with an absolutely explosive night where the packed venue turned into pure chaos as soon as Comeback Kid played one single note, with stagedivers and crowdsurfers galore and a constant pulsating moshpit. And the support they brought with them only fleshed out this amazing night of hardcore music with the NY-based Spaced and crossover misfits Prowl!

Wolfheart was just back from an extensive tour with Dark Tranquillity all over Europe, and a unique show in Saudi Arabia, but decided it wasn’t enough yet. They added another show in Helsinki to take place about halfway December, and since they were telling us all that this would be the last club show in Finland for a long time, we didn’t hesitate to gather ourselves and get to this show! With them they brought the Finnish melodeath talents Swansong and Scythe of Sorrow to get the crowd warmed up for what turned into a schooling of Finnish melodeath!

Finland’s band of misfits King Satan released their latest album ‘The Devil’s Evangelion’, and such an epic album deserves a proper release tour of course. At the end of 2024, they embarked on a series of release shows in Finland and showed up in Helsinki the day after Independence Day, giving us a good reason to go out for yet another party! With them, they brought their friends of the dark elektro duo Miseria Ultima to open the night, and doomy outfit The Abbey as direct support. An excellent night of great music and friends, and with a King Satan in absolute top form!

Country music isn’t just for warm summer days. Why not enjoy some fun tunes while sipping on a hot Glöggi? I at least found that to be very enjoyable.

Steve’n’Seagulls last gig of the season started with ‘Black Dog‘ and continued with a good variety of faster pasted songs like ‘My Sharona‘ or ‘Thunderstruck‘. They even played the Rammstein cover ‘Ich Will‘. Of course, classics like ‘Carry On‘ and ‘Run to the Hill‘ were also played. And while the atmosphere is very light-hearted and fun, Steve ‘n’ Seagulls also showcased a lot of skills mastering to play several different instruments and not just replaying the famous songs, but really making their own versions. The only thing I was missing was my favourite song of theirs, ‘Sweet Maria‘.

An unforgettable evening of music took place at the Effenaar in Eindhoven on Nov. 28, 2024. Due to heavy traffic, we missed the chance to see the opening act The Intersphere, but the mood quickly turned back more positive when we arrived just in time for Charlotte Wessels‘ performance. Charlotte mesmerized the audience with her performance as she introduced her latest album, ‘The Obsession’. Her performance showcased her unique artistry and new material and garnered much acclaim.

Excitement rose further as Danish prog-metal powerhouse Vola took the stage. Known for their blend of heaviness and melodic finesse, they gave a mesmerizing performance. A standout moment came when Charlotte Wessels joined the band as a guest vocalist for the song ‘Cannibal’. Her voice blended beautifully with Vola‘s intricate soundscapes. The collaboration was a special treat for the audience and marked a memorable highlight of the evening.

This year, as a concertgoer, you’ll be bombarded with a fireworks display of great concerts in the last quarter of the year. It’s really hard to pick out the highlights of the highlights. However, if you didn’t choose to attend WITHIN TEMPTATION‘s ‘Bleed Out Tour 2024’ stop in the Porsche Arena on this third of December in Stuttgart and its surroundings, you missed out!

BLIND8 from Ukraine kicked off the evening with their metalcore. A solid performance that took place in a not-yet-full hall. The four Ukrainians were able to convince, although there is room for improvement in terms of sound and lighting. Another musical gem from the war-torn country that you can put next to JINJER.

With ANNISOKAY (Ann Is Okay), another metalcore combo took the stage. You can tell that the band has been around since 2007. The performance is routine and secure. As a German band, it is also a kind of home game for the guys from Halle (Saxony-Anhalt, Germany), in the Swabian capitol. The audience is enthusiastic. A special highlight is the short appearance of WITHIN TEMPTATION singer Sharon Del Adel at the end of the set, with Sharon visibly having fun as well.

When Within Temptation take the stage, there is no holding back. The fantastic stage with the huge LED walls offers a visual delight that is second to none. A mixture of video and animations adjusted to the songs have been presented, simply eye-candy deluxe. Even without pyro, but with smoke columns, it’s an impressive affair. Musically, the band can draw from the full discography, and they do. The sound is wonderful and brings Sharon‘s voice fully to the fore. An absolutely great concert!

VOLA earlier impressed on the main stage of Tuska Festival in Helsinki, and clearly a proper show of their own was necessary, looking at how many people absolutely adored these guys. On the back of the release of their latest new album ‘Friend of a Phantom’, they embarked on an extensive tour throughout Europe with special guest Charlotte Wessels and openers Feather Mountain, guaranteeing an evening of proggy and gorgeously atmospheric music. Of course, they dropped by in Finland as well for a couple of shows, and their performance at Helsinki’s very pretty and fitting venue Vanha Ylioppilastalo will be a 2024 highlight for many of those who attended.

Phrenetix Thrashes Asgaard in Gentbrugge

The Lithuanian thrash metal force Phrenetix unleashed their signature thrash attack at Asgaard in Gentbrugge, delivering a blistering set of high-energy riffs and relentless aggression.

Opening the night were Germany’s Nuclear Warfare and Belgium’s own Steamroller, who brought heavy grooves and powerful performances. Steamroller introduced their new bass player Tom, a dedicated volunteer from the venue’s own team, adding a fresh dynamic to their performance. It was bittersweet, however, as it also marked the final show for their drummer Bert.

After the music ended, the energy did not stop. We all partied with Phrenetix into the early hours. It was a night of metal, camaraderie and memories that will linger long after the amps were turned off.

This year, all thrash metal fans in Europe received a special treat, an early Christmas present: KREATOR & ANTHRAX feat. TESTAMENT. Practically a Big 3 instead of the Big 4 of Thrash Metal. ANTHRAX and KREATOR performed as co-headliners. It would be a misnomer to refer to TESTAMENT as a support act in this line-up. They kicked off the early December Saturday evening as the opener.

And what can be said about TESTAMENT? Simply wow. The music and power were overwhelming. Chuck Billy‘s vocals are still top-notch, as is his belly. Given their age, the performers paid tribute to the stage action, which is no longer as energetic as it once was. The assembled crowd of headbangers didn’t mind, they were still fully engaged. With great lights and plenty of pyro spectacle, it was quite literally a hot show. The best thrash metal theatre with 60 minutes playing time before a medieval inferno painting as the background.

Then ANTHRAX (the secret headliners of the evening for me) turned off the mood limiter on the amplifier and cranked it beyond the red zone. Bam… straight to the gut. Thrash metal from NYC. The guys were having so much fun and wanted to play; it was almost unbelievable, the energy on stage. Joe Belladonna, no longer as ultra-shrill and cutting in his voice as in 1985, but still full of power and strength. The hall boiled, Charlie Benante speed drummed his bass drums almost to destruction. Chuck Bello is still the role model for the Duracell Bunny, sprinting across the stage. Scott Ian stomped and whirled as always. Material from all episodes was played, with particularly loud cheers for the pieces from ‘Spreading The Disease‘ and ‘Among The Living‘, with the most appreciation for ‘Indians‘. With a tiny tear in the eye, the author remains – ‘Gung-Ho‘ as the final number was somehow missed that evening and was replaced by ‘Efilnikufesin (N.F.L.)‘.

The crowning finale was provided by KREATOR with their incredible stage setting. The curtain fell, and the opulent stage with the familiar creatures from the KREATOR universe was taken over by Mille Petrozza and his men. The band threw everything into the performance, Mille‘s vocals precise and cutting as ever. It was ‘Hate Über Alles‘ in pure culture. The pyro mania reached a new peak, spiced with a few bangs and symbolic ‘witch burnings’ on stage, it was not only musically but also visually a hot ride. Here too, a great repertoire was played, from classic old-school KREATOR material like ‘Pleasure To Kill‘ to material from the 2020s. This was the high school of thrash metal. No breaks, no downtime.

All three bands were in a class of their own that evening – there was no support, only headliners. This evening will be remembered by all thrashers for a long time… Perhaps as Big 3 Night.

Kortrijk’s DVG Club transformed into a haven for symphonic metal enthusiasts on November 28th, as Norwegian band Sirenia and German act Xandria joined forces for a co-headline tour, along with Italian openers Genus Ordinis Dei.

Hailing from Italy, Genus Ordinis Dei set the stage with their blend of symphonic (death) metal and metalcore. The trio, featuring two guitarists and a drummer, delivered a powerful performance that included a cover of Manowar‘s “Hail And Kill”.

Next up was the seasoned Norwegian act, Sirenia. While Emmanuelle Zoldan encountered some technical difficulties, her passion and stage presence were evident. The band’s setlist included a mix of new and old tracks, with the French cover of “Voyage Voyage” being a particular highlight for the Francophone frontwoman.

The stage was then reset for the German symphonic metal band Xandria, celebrating their 30th anniversary this year. Despite a few lineup changes over the years, the band delivered a solid performance, featuring tracks from their latest album, “The Wonders Still Awaiting.” The band’s set showcased both their powerful and delicate sides, with a heartfelt ballad that touched the audience. The crowd, which included many fans who had already mastered the new single “200 years,” was clearly enjoying every moment.

Overall, the concert was a testament to the enduring appeal of symphonic metal. The three bands delivered a powerful and unforgettable performance that left the audience wanting more.