Merrimack delve to enigmatic depths on second single ‘Dead and Distant Clamors’

Renowned French black metal entity MERRIMACK continues to unravel the enigmatic tapestry of their upcoming album, ‘Of Grace and Gravity’, with the release of their second single, Dead and Distant Clamors.

Diving into the abyss of existential questioning, Dead and Distant Clamors explores themes of cosmic disarray and the profound uncertainty that surrounds our existence. The intense lyrical journey confronts the forces that shape our world and the relentless struggles against the inevitable. MERRIMACK echoes a sonic barrier that mirrors the tumultuous nature of our lives, set against a backdrop of relentless black metal fury.

The lyrics, a poetic manifestation of cosmic chaos, delve into the mysteries of existence and challenge the established norms. Vocals lines like: “Who proclaims, who decides, who announces the end of the orations? and: “Captive of forms that vitrify again this side of reality.” serve as thought-provoking inquiries into the very fabric of our existence as a species.

Dead and Distant Clamors presents MERRIMACK‘s signature blend of atmospheric black metal, intricate compositions, and raw, unbridled energy. The track unfolds like a dark cosmic ballet, invoking emotions that range from despair to defiance.

This new single can now be experienced by all:

‘Of Grace and Gravity’ is out March 8, 2024 on Season of Mist: Underground Activists.

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

Here’s what MERRIMACK have to say about the release of Dead and Distant Clamors:

“This song pays tribute to old-school black metal, embracing its desperate atmosphere and incorporating haunting, slow sections reminiscent of a depressive waltz. Guitars engage in a conversation around a hypnotic crescendo, while the vocals articulate the inevitable possibilities of decay. Expect nothing less than a pure homage to the essence of darkness.”

MERRIMACK are back with their new album Of Grace and Gravity. Their third release for Season of Mist arrives after the re-print of their long sold-out debut Ashes of Purification, which followed the sizeable impact that their last album, Omegaphilia, had on the Black Metal Scene.

Merrimack can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue‘ – 1995, ‘Act 1‘ – 1995, ‘Horns Defeat Thorns‘ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.

Although Merrimack decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification‘, the Parisians did not sever their roots with the underground at any time. With the following albums, Of Entropy and Life Denial (2006) and Grey Rigorism (2009), Merrimack closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with Marduk and Nachtmystium in 2009.

After recording The Acausal Mass (2012) in the legendary Necromorbus Studio (Watain, Destroyer 666) again, Merrimack embarked on a European tour with Norwegian icons Mayhem and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada.

‘Omegaphilia‘ breathed fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the band focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

The ensemble now presents their latest album ‘Of Grace and Gravity’, an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivion occlusion. Merrimack, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.

Line-up
Perversifier – Guitars
A.K. – Guitars
Blastum – Drums
Vestal – Vocals
Daethorn – Bass